{"id":1186,"date":"2022-03-26T10:55:06","date_gmt":"2022-03-26T09:55:06","guid":{"rendered":"http:\/\/violintonarelli.com\/non-categorizzato\/la-scuola-classica-cremonese-patrimonio-dellunesco\/"},"modified":"2024-02-26T21:59:27","modified_gmt":"2024-02-26T20:59:27","slug":"the-classical-cremonese-school-a-unesco-heritage","status":"publish","type":"post","link":"https:\/\/violintonarelli.com\/en\/blog-en\/the-classical-cremonese-school-a-unesco-heritage\/","title":{"rendered":"The Classical Cremonese School, a UNESCO heritage."},"content":{"rendered":"<p><strong>Protected by the Stradivari Luthiers Consortium<\/strong>, which issues a certificate of origin with a <strong>SIAE<\/strong> stamp, endorsed by the Italian Luthier Association and <strong>UNESCO<\/strong>, <em>the classical Cremonese school in the art of building violins, violas, and cellos,<\/em> is the <strong>most famous in the world<\/strong> since the 16th century, and over the years, it has reached a <strong>very high level of technique and style<\/strong>, continually evolving in the pursuit of absolute perfection. The strictly artisanal technique of building what is called the &#8220;<em>classical form<\/em>&#8221; of the violin, or also the &#8220;<em>internal form<\/em>,&#8221; is such that two violins can never exist exactly alike.<\/p>\n<h2>The Violin Model and Its Construction<\/h2>\n<p>For the choice of the violin model to inspire me, I have always favored the works of the great luthier masters of Cremonese history, the historical <strong>Andrea Amati, Antonio Stradivari, and Guarneri del Ges\u00f9<\/strong>, and more recently, also the bowed instruments of luthiers like <strong>Giovanni Battista Guadagnini<\/strong>, are for me a <strong>source of inspiration<\/strong> following the demand of numerous clients. Once the instrument to follow is defined, the next fundamental step is the choice of wood to work with for the construction; the essence of wood \u2013 mainly the <strong>Balkan maple<\/strong> figured for building the back, sides, and neck, and the red spruce from Val di Fiemme for the soundboard \u2013 must meet specific requirements, primarily possessing characteristics similar to the antique instrument that inspires me. All <strong>stages of instrument construction require a lot of time and precision<\/strong>; wood is a living material and requires skilled and patient treatment. From the arching of the back and soundboard to their thicknesses, each step is studied to achieve the best acoustic result.<\/p>\n<h3>My Personal Touch<\/h3>\n<p>Despite the <strong>inspiration coming from tradition<\/strong>, there is a part of the violins, violas, and cellos that allows me, and all <strong>artisan luthiers<\/strong>, to express their <strong>creativity<\/strong> in stringed instrument construction, and that is the neck, which is ornamented at the top by the carving of the scroll. The <strong>scroll sculpture<\/strong> is the luthier&#8217;s personal imprint on the instrument, following the builder&#8217;s personal tastes and leaving room for the creative flair of us Cremonese luthiers. I thus draw inspiration from historical masters, but in this part, I can always leave my <em>signature<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Protected by the Stradivari Luthiers Consortium, which issues a certificate  [&#8230;]<\/p>\n","protected":false},"author":3,"featured_media":1146,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-1186","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-en"],"yoast_head":"<title>La scuola classica cremonese | Daniele Tonarelli Master Violin Maker<\/title>\n<meta name=\"description\" content=\"Tutelata dal Consorzio Liutai Stradivari\u00a0che rilascia un certificato d\u2019origine con bollino\u00a0SIAE, dall\u2019Associazione Italiana Liutaria e\u00a0dall\u2019UNESCO,\u00a0la scuola classica cremonese nell\u2019arte della costruzione di violini, viole e violoncelli. Leggi di pi\u00f9\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/violintonarelli.com\/en\/blog-en\/the-classical-cremonese-school-a-unesco-heritage\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La scuola classica cremonese | Daniele Tonarelli Master Violin Maker\" \/>\n<meta property=\"og:description\" content=\"Tutelata dal Consorzio Liutai Stradivari\u00a0che rilascia un certificato d\u2019origine con bollino\u00a0SIAE, dall\u2019Associazione Italiana Liutaria e\u00a0dall\u2019UNESCO,\u00a0la scuola classica cremonese nell\u2019arte della costruzione di violini, viole e violoncelli. 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